Classical Music
There are already countless fine documents of the Sibelius Concerto, but Canadian violinist James Ehnes finds new angles from which to examine this favorite; Frank Dupree is a dexterous keyboardist whose grasp of Nikolai Kapustin’s jazzy style is assured.
The group presented a program of edgy music with the bloom of youth.
Kevin Puts’s mesmerizing song cycle probes the passion, loss, and resignation in the relationship between the artists Georgia O’Keeffe and Alfred Stieglitz.
The whole effort culminated in the finest orchestral performance these ears have heard in Boston since, well, the last time the Berliner Philharmoniker was here.
The Belvedere Series is a chamber music group whose mission of bringing the art form to new audiences is matched by an admirable desire to expand and redefine just what the canon is. Even better: that ambition is backed up by top-flight programming, playing, and musicianship.
The only serious flaw in Boston Lyric Opera’s stripped-down staging approach to Aida was that not all the participants were quite up to the organization’s usual standards.
Among Artistic Director Holly Druckman’s goals is to turn Cappella Clausura into a “very serious player in the Boston early-music-new music scene.”
The performance of the Jerusalem Quartet was marked by considerable poise, polish, and personality.
The performances on the recording exhibit no conception of Shostakovich’s style – where is this music’s irony and sarcasm, let alone pathos? – not to mention any sense of how to navigate large-scale forms.
Concert Review: Horizon Ensemble Ushers in a Festive Autumn
There wasn’t much autumnal despondency in this Horizon Ensemble program; it was dedicated to the upside of the season, an invitation to enjoy all its warmth, friendship, and festivity.
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