Classical Music
The opera repertory is so much richer than what gets staged nowadays; many of the most exciting recordings that came my way are of somewhat or entirely forgotten operas from past eras.
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There are already countless fine documents of the Sibelius Concerto, but Canadian violinist James Ehnes finds new angles from which to examine this favorite; Frank Dupree is a dexterous keyboardist whose grasp of Nikolai Kapustin’s jazzy style is assured.
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The group presented a program of edgy music with the bloom of youth.
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Kevin Puts’s mesmerizing song cycle probes the passion, loss, and resignation in the relationship between the artists Georgia O’Keeffe and Alfred Stieglitz.
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The whole effort culminated in the finest orchestral performance these ears have heard in Boston since, well, the last time the Berliner Philharmoniker was here.
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The Belvedere Series is a chamber music group whose mission of bringing the art form to new audiences is matched by an admirable desire to expand and redefine just what the canon is. Even better: that ambition is backed up by top-flight programming, playing, and musicianship.
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The only serious flaw in Boston Lyric Opera’s stripped-down staging approach to Aida was that not all the participants were quite up to the organization’s usual standards.
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Among Artistic Director Holly Druckman’s goals is to turn Cappella Clausura into a “very serious player in the Boston early-music-new music scene.”
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The performance of the Jerusalem Quartet was marked by considerable poise, polish, and personality.
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Concert Review: Horizon Ensemble Ushers in a Festive Autumn
There wasn’t much autumnal despondency in this Horizon Ensemble program; it was dedicated to the upside of the season, an invitation to enjoy all its warmth, friendship, and festivity.
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