Film
Could it be, I dream, that a resurgence in local video shops much be in the cards, like the vinyl record stores that are popping up everywhere now?
In its day, Ingagi raked in the crowds with a promise of weird African animals and “wild” women, and a teasing of bestiality.
In its celebration of current-day Black culture, and of the vitality of Black youth, The Inheritance is an optimistic work.
There’s no question in my mind that Woodlands Dark and Days Bewitched will remain the definitive work on the history of folk horror for many years to come.
Come True squanders all of its narrative potential in favor of an awkward and poorly developed romance and a “twist” ending even M. Night Shyamalan would scoff at.
This is a dazzling debut by filmmaker Rose Glass, who has made a powerful film that is grounded, first and foremost, in the monstrousness of daily living.
It’s as though Moxie‘s writers pulled out a long “woke” checklist and tried to cram in something about every hot button issue they x’ed off.
Exuding a guerilla theater, agitprop vibe (with touches here and there of vaudeville and live sketch comedy), F.T.A. is a thrilling expression of pacifism and accountability directed at the military.
This is a thoughtful, surprisingly moving, and extremely ambitious film, one that employs an innovative style and some unconventional pacing to explore an unusually complex philosophical and emotional landscape.
Pop Culture Commentary: The Rise of the “Boomer Doomer”
Hippie Boomers have morphed from being figures we were horrified to see victimized (think “Easy Rider”) to the kind of people that audiences are positively happy to see get their comeuppances.
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