Film
Director Anton Fuqua forgoes his usual action milieu with an unrelentingly tense, highly emotional English language remake of Den skyldige.
Cry Macho is little more than nostalgia for the Old West of Hollywood.
Docs at the Toronto International Film Festival ranged from the topical to the historical to the cultural. Here are a few that you should try to see.
This charming and upbeat musical doesn’t need to sashay away, but neither is it a hands-down winner.
Ben Whishaw crackles aplenty in Aniel Karia’s fresh and primal debut feature.
A quartet of highlights from this year’s Toronto International Film Festival: Anatolian Leopard, Dashcam, One Second, and Dug Dug.
Blue Bayou’s story deserves to be told and heard. But rather than focus slowly and intently on its central crisis, the script kneads in a dizzying array of additional threads and sidelines.
Martyrs Lane doesn’t unfold like a typical ghost story; it’s more of a mystery seen through a child’s eyes.
The film catches the rhythms and vulnerabilities of real life when two worlds collide.
Film Feature: A Dispatch from Boston’s Last Video Rental Store
“If you really like something and want to make sure you have access to everything, you’ll never do better than having the disc.”
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