Film
A conversation with acclaimed filmmaker, poet, and educator Lynne Sachs about her work, particularly 2020’s Film About a Father Who.
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Pedro Almodovar’s latest, Parallel Mothers, sets up a dialectic between women’s regenerative powers and the blood-soaked history of pre-WWII Spain.
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Let’s see if Prayers for the Stolen is selected as Mexico’s Academy Award nominee. It’s a long shot, given that this is a film that tells so much of the truth.
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For all its skin-tearing brutality, Titane is uncharacteristically tender underneath its heavy metal shell.
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Told with just the right amount of empathy, Five Years North offers an illuminating, and much needed, look at immigration in America.
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No Time to Die could only be a product of the Trump era.
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Once celebrated, but now largely forgotten, novelist and short story writer Nelson Algren deserves the attention given to him in a wide-ranging documentary.
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Director Anton Fuqua forgoes his usual action milieu with an unrelentingly tense, highly emotional English language remake of Den skyldige.
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Cry Macho is little more than nostalgia for the Old West of Hollywood.
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Docs at the Toronto International Film Festival ranged from the topical to the historical to the cultural. Here are a few that you should try to see.
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Arts Feature: Best Movies (With Some Disappointments) of 2025