Film
Beyond its engaging plot and the tour de force performances by Olivia Colman and Jessie Buckley, The Lost Daughter is a gorgeous and sure-handed work of cinema.
This is a fresh take on a teen sex comedy: someone who worships logic sets out to explore the complexity of sexuality.
Director Lana Wachowski seems less interested in telling a coherent story with fleshed out characters than she is in aggressively commenting on how we’re trapped in a cycle of reboots and remakes with no end in sight.
The knee-jerk, hateful reviews of Don’t Look Up possess comments so outsized, and so beside the point, that they bear a resemblance to the oblivious thinking of the movie’s anti-science ostriches.
The documentary supplies plenty of deserved admiration for its haggard but gentle subject, but it doesn’t tell us enough about the enduring value of Kurt Vonnegut’s writing.
The Velvet Queen, elegantly directed by Marie Amiguet and Vincent Munier, is a vivid chronicle of an arduous journey, old-fashioned but visually high-tech.
With Nightmare Alley, Guillermo del Toro once again proves to be an unparalleled cinematic visionary whose commitment to craftsmanship continues to amaze.
This list consists of recent music documentaries that I streamed over the past year — a couple of duds as well as the standouts.
Here is my list of the 5 best music documentaries from the past year that you could/can watch on the boob tube.
Arts Remembrance: Film Critic Michael Wilmington — A Memory
Remembering film critic Michael Wilmington, a unique guy, and friend, whom I knew for 53 years.
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