Film
>Like many fads from the ’90s and early aughts, beanie babies are now getting the Hollywood treatment.
The greatest enigma “Oppenheimer” poses is recognizing the difference between good and evil and how to act accordingly.
Johannes Vermeer as a person and a painter remains a mystery, but this documentary expertly probes the brilliance of his art.
Singing the body electric in “De Humani Corporis Fabrica.”
Without “The Wizard of Oz,” it’s entirely possible that the David Lynch we know and love wouldn’t exist.
The acts of reinvention in “Mission: Impossible–Dead Reckoning Part One” are revelatory, object lessons for how all future summer sequels can be written.
“The Lesson” is well-crafted, infused with nervy suspense and an almost Gothic sense of unease.
“Lynch/Oz” roams from The Yellow Brick Road to “Mulholland Drive”.
Despite the fragmented nature of the protagonist’s memories, everything comes together in Revoir Paris. It is as though her life was a puzzle to be solved.
Film Commentary: “How I Learned to Start Worrying and Fear the Bot”
Long before the current writers’ strike, Hollywood was sounding the alarm about the dangers of AI.
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