Film
The vicious, virtual, voyeuristic, and vicarious are on view at this year’s Camden International Film Festival.
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Reviews of three films at this year’s Toronto International Film Festival that draw connections between class, violence, and politics.
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Though the images are half a century old, the chaos, treachery, and courage recorded bear a chilling relevance to circumstances today in our country and in democracies around the world as right-wing efforts to overturn democratically elected governments proliferate.
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Cinephiles revere a group of movies, known as the Ranown cycle, that starred Randolph Scott and were cannily directed by Budd Boetticher.
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“The Mother and the Whore” is a film about failure: its characters are pushed towards misery not only by their own flaws, but by the failure of the ‘60s to deliver a promised revolution.
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In the end, what strikes me most about “Vertigo” is its melancholy, its aura of grief, its mood of inevitable, irredeemable loss.
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The horndog plot of this wild comedy: two unpopular queer high school students start a fight club to have sex before graduation
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Three gruesome films by debut directors put the horror back in vacui.
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“Bad Things” tries out a lot of ideas, many of them good, but a crisis in identity results in slapdash execution.
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Arts Commentary: Chile’s 9/11 — the Undying and the Undead
Two Chilean artists look at the death of democracy and the aftermath of the 1973 coup.
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