Film
Knowing that artist Peter Hujar died of AIDS in 1987—one of countless casualties of a devastating epidemic that cut short so many artists’ lives—gives the film a sad, mortal urgency.
“The Seduction” is visually stunning but, even though it is the magnificently clothed French aristocracy, it all comes down to unremarkable people behaving badly.
There’s no question that the author of “Criss-Cross” approaches “Strangers on a Train” from a gay-centric viewpoint.
Film fans who love the style and spirit of early-thirties Hollywood will have to control themselves from drooling happily all over this fabulously written, photo-filled volume.
By Sarah Osman Jay Kelly is a shallow attack on shallowness. Jay Kelly, directed by Noah Baumbach. Screening at Coolidge Corner Theater, AMC Theaters, Landmark Kendall Square Cinema. Who are you when you’re always playing other people? And what happens when, even as “yourself,” you feel you are still playing a character? That is the…
This is a lyrical, visually arresting, if sometimes verbally prolix film version of Denis Johnson’s sublime 2011 novella.
Director Joachim Trier is a masterful arbiter of storytelling conceits and tones: by turns subtle, ironic, melodramatic, cold, and, often, heartbreaking.
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