Film
Two standouts at this year’s Tribeca Film Festival: “Bikechess” and “Made in England: The Films of Michael Powell and Emeric Pressburger”.
Here are films I’ve most loved watching the late Donald Sutherland in over the years.
A 1968 book of photos and interviews on a motorcycle club makes a fictionalized transition to the screen.
The 2024 Tribeca Film Festival was predictably celebrity-heavy and substance-light. Yet between the cracks, there were things well worth seeing.
The documentaries “War Game” and “Devo” take up the topic of insurrection, political and cultural.
A trio of films in which certainty and security have been disrupted and people must make the best of what remains.
Film historian Peter Cowie’s writing is always intelligent, if somewhat dry, and normally correct in its evaluations of Ingmar Bergman’s films.
Director Takashi Miike’s latest is a killjoy of a film: it doesn’t want to have fun with its material, but it’s impossible to take it seriously.
The enthusiastic spirit of “Lost Soulz” is appealing enough to make what feels like two different types of movies sutured together dramatically satisfying.
There is no denying that “Kidnapped”‘s warning about political authority abusing religion for its own accumulative ends resonates powerfully at this moment.
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