Film
At some point during the writing of the book, Ken Turan must have realized, sadly, that the Mayer/Thalberg/MGM story has been done to death. All he could do was what he did: tell well what had been told well before.
Fascism is faced down in Walter Salles’s Oscar-nominated masterpiece.
More than the threat posed by the ghost, “Presence” is desperately terrified of ambiguity.
It is impossible to think that anyone could have been exposed to David Lynch’s work — its generous vision, so far-reaching in its scope, so recognizably rooted in the modern human condition — and not come away changed, haunted, and awed.
The power of cinema persists at the Boston Festival of Films from Iran.
The new bio-doc about producer-musician Brian Eno looks at the artist’s life and his creative process in a deliberately provocative new format.
Like all accomplished directors – and architects – Brady Corbet has orchestrated a team of outstanding collaborators into shaping his vision.
In their latest divinely idiosyncratic romp, Wallace & Gromit take on the threat of that most impersonal and worrisome technology: AI.
This is a chilling tale of the (last) Cold War, and footage of Teslas and iPhones serves as a potent reminder that the struggle for global natural resources, in the Third World and beyond, continues.
Arts Remembrance: The Voice of Love — On David Lynch’s Empathy
For all the accusations David Lynch faced over the supposed emotional and ironic detachment of work, his films are wellsprings of love for their subjects.
Read More about Arts Remembrance: The Voice of Love — On David Lynch’s Empathy