Film
By Salima Appiah-Kubi Moulin Rogue hinted at it. Hedwig and the Angry Inch made it cool. Everyone Says I Love You nearly killed it. This month’s release Mel Brooks’ movie-turned –musical-turned movie musical, The Producers, has made it official. Ladies and gentlemen, we are now entering the second age of the movie musical.
Those looking to expand their horizons on art and narrative should make the time for Cleophas and His Own: A North Atlantic Tragedy, a very (nearly three hours) long but equally rewarding debut from director Michael Maglaras, who also stars in the film. By Adrienne LaFrance Cleophas and His Own is the recitation of a…
By Jard Craig Going to Pieces, a new made-for-cable documentary (which airs this Halloween on Starz at 11 p.m.), charts the history of slasher films. The film starts off strong, but falls apart once the initial shock value of cinematic cut-and-slash overkill wears off. The film strings together the best scenes from new and classic…
By Adrienne LaFrance, Regardless of your political affiliation, you have to admit that it’s good to see Al Gore beardless and moving on with his life, six years after the 2000 presidential election. Gore is pursuing what he’s called his life’s calling; spreading the word about global warming and its threats to civilization. Last night,…
“Superman Returns” fails to take off the ground in Warner Brother’s attempt to revive the legendary franchise. Although Brandon Routh believably portrays the Man of Steel, unmistakably similar in his bold facial features and baritone voice to the man (Christopher Reeve) who made the role famous, the predictable plot and too much one-dimensional acting by…
Through DVDs, I recently revisited some vividly remembered TV episodes of “Walt Disney Presents” with the “Tomorrowland” theme.
The new movie, “The Lake House,” which is inspired by the South Korean sci-fi romance “Siworae,” reunites “Speed” co-stars Sandra Bullock and Keanu Reeves in considerably more mellow and mature roles.
A prickly woman’s survival depends on her ability to soften her edges in this riveting drama by Olivier Assayas, for which Maggie Cheung won the Best Actress award at the Cannes Film Festival in 2004. Assayas began his career by making incisive and unsentimental character studies. His technique became freer in his first collaboration with…
By Betsy Sherman As a film about a brief, cross-generational friendship, Mrs. Palfrey at the Claremont (now playing at the Kendall Square Cinema) doesn’t have the pop-culture cachet of Lost in Translation or Harold and Maude. It’s content to nestle into an ambiguously etched contemporary London in which people quote Wordsworth and make a fuss…
Visual Art Commentary: Silence Is Complicity — Why Museums Must Use Their Voice to Defend Democracy