Film
Judging by the trailer for The Great Gatsby, it looks as if director Baz Luhrmann’s habitual excess will overwhelm the lyrical beauty and subtle power of F. Scott Fitzgerald’s prose.
Sound of My Voice has a lot twists and turns, much charm, and credible suspense. Have I yielded to the cult of Brit Marling? I was always a sucker for pretty face, and a good yarn.
The new documentary,
After catching your breath from a heavy dose of April film festivals, you may think you need a rest! While this month’s Boston area offerings may look tidy in number, they are sprawling in scope. April provided a look at what’s coming and current, but May is steeped in history and alternative cinema.
The Kid With a Bike is a story of grace, compassion, redemption, and of the possibility of goodness in a very difficult and imperfect world.
It is a pleasure to report that — driven by the lively direction of Jamie Lloyd and the skills of an energetic cast — the National Theatre production proves that even after two centuries Oliver Goldsmith’s classic can still dole out plenty of comic delight.
William Kentridge spoke of the value of using a mirror to re-learn what he already knew how to do; the clear implication was that we are daily surrounded by mirror-images that we do not see for themselves but that hold the potential to alter our relationships to our tools and to our visions.
What struck me about “Hunger Games” is that the rules change in Katniss Everdeen’s battle to survive against others like her, including others she likes, might even love.
A reprise of Fred Hersch’s Leaves of Grass highlights the key role of Boston’s educational institutions; plus, an abundance of performances celebrating CD releases.
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