Film
A hedonist and humanist, admired filmmaker Ricky Leacock was curious about everyone, including the rich and famous, especially if he could show them sans their celebrity masks.
Beyond the Hills is not the horror film the trailer seems to advertise, but it is certainly horrific.
In the end, it is not the brilliance of his criticism or the strength of his prose for which we will remember Roger Ebert, but his humanity and his love—for film, for life, and, most of all, for people.
Yesterday the folks behind Rdio.com, the online music subscription service, started unveiling Vdio, an online video rental and sales service.
April is a cornucopia of festivals and screenings, several of which feature speakers and are free. The month is capped off with the region’s top celebration of cinema, The Independent Film Festival of Boston.
This unique and carefully constructed impressionistic narrative encourages viewers to free-associate, assess, and imagine the romantic relationship through the filter of their own memories and experiences.
This new commercially distributed movie gives writer/director Harmony Korine an opportunity to create a vision of decadence that wallows with cartoon glee in a libidinous pop culture wonderland.
Employing every trick of digital capability to astound and amaze eventually becomes little more than hocus-pocus.
The pre-festival film season features free screenings, a selection of international cinemas, many great documentary films, and a weekend of feminist films.
Few events draw more prognosticators than the Oscars, and the Arts Fuse movie critics join in on the universal guessing game. The trio agree on one thing: the field this year is rich with worthy and fascinating nominees.
Visual Art Commentary: Silence Is Complicity — Why Museums Must Use Their Voice to Defend Democracy