Film
Jealousy is a misleading title for this touching movie, as the characters are less jealous than forlorn when those they love move on to other loves.
The Drop‘s characterizations never go beyond hapless noir archetypes, but sharp dialogue, superb performances, and the unpredictable convolutions of the plot keep the viewer on edge.
As expected, Expedition to the End of the World is visually stunning. The problem is that we needed to see more of the world and hear less yakking from the humans who inhabit it.
No No: A Dockumentary presents a textured portrait, on and off the field, of ’70s pitching phenomenon Dock Ellis.
It would be a great pity if the MWFF, with its luminous history, was put out to pasture.
The trippiness, the nudge regarding unused powers, regarding vision, regarding the potential of our minds, are the best parts of Lucy.
Steve Coogan and Rob Brydon comic routines are cerebral but brilliantly funny, mostly due to the dueling impersonations that are an inevitable part of every meal along their journeys.
Seeing Exhibition is like spying through a window on our most glamorous neighbors moving about their flat: it’s kind of kinky, kind of fun.
Despite a few clichéd moments, Land Ho! is the satisfying product of the natural grace that Aaron Katz and Martha Stephens have developed as filmmakers.
If Van Gogh had picked up an acoustic guitar, he’d be Frank.
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