Film
Director/actress Paola Cortellesi’s “There’s Still Tomorrow” is yet another bold cinematic plea for women’s rights.
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Bong Joon Ho’s “Mickey 17” is one of the most vicious, cruel, and savagely arch vivisections of our global economic and socio-political reality since… well… Bong’s 2013 movie “Snowpiercer”.
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A review of two fine backstage (or offstage) comedies at the Berlinale — “Blue Moon” and “Koln 75”.
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“V66 is a piece of broadcast history that a lot of people don’t know about. I’m proud to be the person to tell its story.”
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“The Monkey” is a delightful exercise in black humor.
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Two heartfelt documentaries about the Hamas attack and hostage-taking have premiered at this year’s Berlinale and have been received respectfully, even welcomed.
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The 2025 Oscar nominated documentary shorts indict the justice system.
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It is a shame that international film festivals cannot be made accessible to wider audiences, but the trend toward online gatherings, such as the Online French Film Festival, is a good start.
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“Captain America: Brave New World,” which is loaded with potential for drama and commentary, has less weight and punch than a butterfly’s fart.
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Arts Remembrance: Gene Hackman — Hero and Antihero
Gene Hackman’s legacy will never fade, and now, with his passing, many filmgoers may finally appreciate the enormity of his talent and the enduring impact of his work.
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