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The history of the Beau Sancy took me back to the years around 1640, when it passed into and out of the orbit of the greatest Netherlandish artists of the day, the Dutchman Rembrandt and the Brabander Rubens.
Read MoreUltimately, there’s a “look at my technique” quality to composer Lewis Spratlan’s writing in this piece that doesn’t match the musical content and that seems to be striving to be all things to all listeners.
Read MoreThe SpeakEasy Stage Company’s Xanadu is a joyful, fun piece of light summer entertainment, beautifully executed by the cast and crew, that celebrates sublime schlock in surprisingly hilarious and creative ways.
Read MoreAs sorry as I was to lose Mexican writer Carlos Fuentes last week, I was nonetheless deeply pleased that he reached the age of 83. I almost killed him when he was 37.
Read MoreStefan Zweig’s was a dramatic, action-packed, intense epic of a life, but Oliver Matuschek’s biography, Three Lives, simply plods along.
Read MoreA.R.T artistic director Diane Paulus, entrepreneur extraordinaire, seems to have plucked impulse for character and meandering plot from a watered (down) idea of The Tempest.
Read MoreBeau Jest Moving Theatre has returned to the early, one-act version of Williams’ script, and created a sometimes pleasant, sometimes nightmarish dreamscape.
Read MoreMark Morris, no longer dancing, joined his company for the curtain call. He’s beloved here, a part of the contemporary dance scene in Boston over the decades as a performer, a choreographer for the Boston Ballet, a teacher, and an inspiration to a number of local performers.
Read MoreThis family’s twelve-year-old daughter found Little Shop of Horrors to be funny, silly, and wholly enjoyable, further cementing her desire to be onstage as much and as often as possible in the future.
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