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Live, the band crackled. But it was the front line of the grey-maned Rava and trombonist Gianluca Petrella who ultimately defined the band’s sound. .
The band’s personal conflict and artistic turmoil proved to be fruitful because “…Like Clockwork” is Queens of the Stone Age’s most concise and mature disc to date.
“No Hurry” is a book about aging: the conscious pang of the loss of past intensities, the treasuring of the quieter now, the achingly slow death of sex.
Just every week this summer boasts at least one show of note at venues large and small in and around Boston. Here are ten that are worthy of a special mention.
“Before Midnight” doesn’t go where you think it will, nor does it end quite the way you might imagine, but the highs and lows of this one memorable night evoke the disquiet and soberness that comes with becoming an adult.
This exhibit dedicated to Diaghilev and The Ballets Russes is well worth a trip to Washington D.C. because of the amazing objects on display.
Though its central events are in the past, conveyed by characters by means of often ambiguous shreds of memory and musing, “In Times of Fading Light” is a work of quiet power and beauty, dense with sorrow, telling detail, and suspense.
With “The Redeemer,” Dean Blunt has yet again managed to mystify his listeners – this time with gorgeous compositions, a vague yet compelling narrative, and unprecedented honesty.
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