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This fascinating book ends, leaving the reader with all sorts of questions — but that is exactly what really good fiction always does. Opening our minds, etching characters in our imaginations, and generating all sorts of possibilities.
This meticulous biography of Anglo-American poet Denise Levertov is the labor of many years and of deep reflection and care.
Anat Gov does a fine job on the meta-playwriting level. “Best Friends” is a genre piece that is also an affectionate commentary on the genre to which it belongs.
The last Chameleon Arts Ensemble performance of this season, “mystic moons and dream music,” promised much, with three famed masterpieces by Debussy, Stravinsky, and Schoenberg.
This Judicial Review deals with the Boston premiere of John Harbison’s opera version of F. Scott Fitzgerald’s novel The Great Gatsby. Read the reactions and join the conversation.
Despite the show’s darkness, “East 100th Street”‘s exploration of Harlem in the ’60s is in many ways a testament to the endurance of love.
The Lyric Stage Company of Boston’s production can’t quite get its arms around all of the varied elements in this exhilarating musical, but some terrific performances make up for other weaknesses.
The show was like topping a delicate wedge of artisanal cheese with a handful of artisanal trail mix. Both the Christian Science Plaza and the sculptures themselves are exquisite on their own, but together the experience felt disjointed and oddly incompatible.
The ebullient entertainer Maurice Hines held court this week at a packed Cutler Majestic Theater, along with a score of other very talented musicians and tap dancers. What an evening!
The influence of two centuries of dandies on fashion — and the artful, strategic, ready-for-the-paparazzi self-presentation at the heart of modern celebrity — is on wide-ranging and colorful display in the Rhode Island School of Design Museum exhibit.
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