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Well, maybe this isn’t the last time. Maybe this isn’t the last tour. Maybe they’ll be around for a few more years at least. And why the hell not? The Stones have still got it, and they’re almost worth the money.
There is lots to praise (lavishly) in BEMF’s production of “Almira”: a large cast with no weak links, fabulous musicians, and inspired sets, costumes, and dancing.
Despite its drawbacks, “Aleko” is a remarkably satisfying opera and filled with much beautiful music.
Even with its audience-unfriendly head games and confusions, “Post Tenebras Lux” is an imposing spiritual work, and totally original.
While the nostalgic exposition pays dutiful homage to the original story, the gangbuster finish should satisfy the audience’s summer techno-lust.
Dame Emma, now sixty-four, sat and sang just quietly enough and with the right measure of mystery and stillness to draw the audience in, and to keep them there in a trance.
Live, the band crackled. But it was the front line of the grey-maned Rava and trombonist Gianluca Petrella who ultimately defined the band’s sound. .
The band’s personal conflict and artistic turmoil proved to be fruitful because “…Like Clockwork” is Queens of the Stone Age’s most concise and mature disc to date.
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