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There have been three pop LPs this year that I’ve really been digging: they are gloriously wacky.
Thanks to CLT’s pluck and commitment to underperformed repertoire, Boston audiences have the chance to check out the rarely performed opera “Mozart and Salieri” for themselves.
The clips from both experimental and commercial cinema play well against the interviews from a group directors who are known for pushing boundaries.
The creator of the series, Mike Judge, and his team have gone to great lengths to sweat the details of the corporate landscape of San Jose and its environs. Right from the start Silicon Valley rang true.
Retired Associate Justice John Paul Stevens’ book Six Amendments is unlikely to restore any of the love lost between him and the GOP.
This exhibition pits Jim Hodges’ undoubtable sincerity against the stylistic requirements of post-minimalism in battles that often come to a draw.
Singer Ute Gfrerer’s name should be spread far and wide to anyone — Jewish or not — who is interested in the music of that period, for this is first-rate work that should be heard for generations to come.
Rebecca Newberger Goldstein’s erudition, coupled to her literary skill, makes Plato at the Googleplex inviting and readable without sacrificing complexity.
Director Alejandro Jodorowsky is a fascinating artist, but this rehash of his own Dadaesque style is lurid, stale, and simplistic.
Artist/scholar Elizabeth Lennard has managed to evoke the breadth of Edith Wharton’s life and work in a relatively short and vivid film.
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