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Had Daniil Kharms’ texts been available at the high tide of the Theater of the Absurd, his plays would be performed alongside those of Samuel Beckett and Eugene Ionesco.
Back To Fort Scott, a compact, affecting exhibition of meticulously printed black and white photographs, is like a grainy, retro speed bump between the museum’s adjacent galleries.
Jazz Week 2015 shines a spotlight on the jazz scene—historic and current—in Boston’s core African American community of Roxbury (and adjoining Mattapan and Dorchester).
The comedy-tinged-with-drama touches on themes tackled by a bunch of recent indie movies that center on characters in their thirties and forties who feel like imposters in the world of adults.
H. relies on clever editing manipulations and pithy reaction shots rather than on flashy special effects.
Had they not had interesting and flourishing careers already in place, Elizabeth Schumann and Gloria Chien could give many full-time piano duos a run for their money.
True Story relies far too heavily on answering the formulaic question ‘Did he do it?’
For these artists, African origin is the foundation that should guide the development of Cuba’s national personality and consciousness.
Two powerful documentaries that explore the dark side of America, past and present.
Fuse Commentary: The Value of Browsing and Discovering That the “Shit Must Stop”
Sometime you go in search of one thing, and you stumble upon something else. And maybe that newly discovered thing is something wonderful.
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