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In the age of reality television, where no humiliation or personal flaw goes unnoticed, Anthony Weiner revels in all the attention.
Long stretches of the evening ask the audience to listen to annoying children’s voices in the dark.
There are resemblances to Virginia Woolf in Helen Dunmore’s awareness that much of family life lies in what is not said as much as in what is said.
Zero K will prove refreshing to Don DeLillo’s readers in that it’s a novel of faith — a concept that he’s always been skeptical of.
James Traub has admirably captured the man inside the public figure, giving us a complex view of a typical New England grandee.
Maureen Keiller and Will Lyman have performed numerous staged readings of Oh God and their intimate knowledge of the text shows.
Varieté will be the tenth score composed by a Sheldon Mirowitz class and played by the Berklee Silent Film Orchestra.
Those familiar with –and, like me, in love with — the 1967 animated Disney film, may fear (as I did) that the new version would substitute CGI for story.
Classical Music Commentary: Boston’s Lost Opportunity — How the BSO Board Chose Charles Munch over Leonard Bernstein