Featured
What we don’t learn in “Josephine Baker’s Secret War” was what she did to steel herself against the risks she was taking. Was it all acting? A belief that her charmed life would never end?
The first thing to note about the 2025 remake of “Bonjour Tristesse” is that it matches the Otto Preminger rendition with its handsome look, its sumptuous color, and the skilled cinematography of Maximilian Pittner.
Heard live, pianist Evgeny Kissin offers the kind of rare, heart-altering listening experiences that give one hope for our woefully fractured world.
“Rust” is an old-school Western with some fine performances, a violent edge, and a lot of heart.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
An independent film festival presents works that expose audiences to diverse voices, to alternative political and social points of view, and to different ways of understanding the world.
This week’s poem: Danielle Legros Georges’s “The Two Liberations of Crispus Attucks”
After more than a quarter century, with an impressive new venue serving as a platform, Radius Ensemble continues to expand its musical reach.
Little Feat is on the cusp of a rebirth – again.
All of the gritty challenges for today’s ballet companies are touched on in “Étoile”, including financial troubles, union strikes, rapaciously controlling donors, jealous, egomaniacal dancers, and more bumps in the road.
Arts Commentary: These Goosesteps Don’t Lie — Shakira in El Salvador and the “New Security” Aesthetic