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Although Greg Epstein’s analysis and critique of what he calls a tech religion are on target, his solutions for undoing its damage are bland, vague, and toothless.
An illuminating book about the 19th-century American artist Francesca Alexander, a Bostonian who shaped a very different life for herself and for her art.
The McCoy Tyner Legacy Band, in a program called “Blues on the Corner” had it all: the unrelenting, all-enveloping power that was a hallmark of Coltrane’s bands, but also an attention to dynamics, detail, and, most important, melody.
On this night, it was clear that Brittany Howard’s status as a force of nature came not from her bellowing vocals so much as the soulful subtleties she wove into high notes.
“The Runarounds” is loosely inspired by the rock band’s actual experiences, which may be why the show feels more realistic than similar musician-centric dramas.
The political and moral consequences of the Compromise of 1850 continue to be debated, but Peter Charles Hoffer’s book offers valuable lessons on how concession and consensus once served as pillars of the Republic.
“America hasn’t lost its historical and romantic legacy for British bands. At least that’s the case with us, anyway.”
Once again, the innovative CST/Catalyst Collaborative@MIT project proves that there are inspiring stories of women’s contributions to science that need to be told.
A rare chance to listen to saxophonist Charlie Rouse with a biggish band, the new “Cinnamon Flower” is a welcome set.
Super-talented band with sharp material, big label backing, hot-shot producer, top-shelf recording studio—what could go wrong? Plenty.
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