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Let’s see if Prayers for the Stolen is selected as Mexico’s Academy Award nominee. It’s a long shot, given that this is a film that tells so much of the truth.
A hatred of self and others sits, relatively neglected, at the center of Adam Rapp’s script.
Unfortunately, it’s becoming increasingly rare for Boston area theater companies to produce shows that are as deeply rooted in our local culture as this one.
For all its skin-tearing brutality, Titane is uncharacteristically tender underneath its heavy metal shell.
This is an all-English album whose strongest moments are mighty and who’s most intriguing piece is a revelation.
Told with just the right amount of empathy, Five Years North offers an illuminating, and much needed, look at immigration in America.
As the age of COVID-19 wanes (or waxes?), Arts Fuse critics supply a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.
Audiences who are open to a show that provides both riotous comedy and bracing truths will find plenty to think about in this deconstruction of one of the Bard’s most problematic problem plays.
No Time to Die could only be a product of the Trump era.
Book Review: “The Mirror and the Palette” — Women’s Self-Portraits in Courage
By skillfully balancing the historical and the imaginative, The Mirror and the Palette is not only a delight to read, but inspirational.
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