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Tron: Ares hurries from one spectacular concept and one spectacular set piece to another. But it doesn’t take the time to let any of those remarkable things sink in.
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“Father Mother Sister Brother” invites you into a space of present-ness where you need to slow down and re-set your metabolism. It invites you to tune out all the noise and sit with the silences between people. A daring ask in a digital world where everyone’s glued to their screens the better to pick up the noise.
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“Vinyl is special because it makes the music less disposable, it makes listening a little less convenient. There is something tactile for people to hold and look at, an object to cherish.”
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We owe Shangyang Fang a debt for bringing the delicacy, obliqueness, and sheer tremulous beauty of these Chinese poems to English-speaking readers.
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This lively foray into popular history, and others, exemplifies the move to attract younger audiences with open and freewheeling interests in gender and sexual nonconformity.
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The Latvian conductor can sometimes overindulge in pieces that demand shifts in emotional direction on a dime, so the frenzied eclecticism of Mahler’s Fourth feels tailor-made for him.
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If, as a commemorative volume, “Fifty Poems” introduces readers to sample the German poet more extensively, either in the original or in the range of translations currently available, it will have accomplished a valuable task.
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How bad is the future going to be? Depends on who you read.
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Chris Grace invites us to think about mortality with him, to learn something from his stories, and to share a few heartwarming laughs along the way.
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At a time when the world’s aflame, David Byrne ignited creative camaraderie, a dazzling experience that lingers in mind and spirit.
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