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Reviews of three films at this year’s Toronto International Film Festival that draw connections between class, violence, and politics.
These witnesses to history are no longer playing with the fire of their youth, but they exude the confidence, warmth, and sure instincts of veterans.
“I was in a dominant position, and I used the weapons of that dominance, whose fragility, in a romantic relationship, I nonetheless recognized.”
Godspeed’s left-wing view was most clearly reflected at a merch table dominated by books on working-class resistance and anarchism, while the group’s dissonant post-rock embodied tension.
“Blood In the Tracks” delivers a minor miracle: a host of fresh looks at the most (over)written about musician of our age.
Let’s hope composer Tod Machover, Opera of The Future, and the Media Lab have more up their space-age sleeves.
Pro Wrestling Company Ohio Valley Wrestling is the little train that could and knows that it can.
“I just want to fly my kite like everyone else. I’m not interested in being the greatest. That sounds like an awful ball and chain. I love the freedom that I have.”
Trumpeter Terell Stafford never seems to be straining; he can be exuberant without sounding brassy.
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