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Conveying the value of hope and resilience are undoubtedly important, but positing social and civic responsibility is also essential, and “Annie” clearly offers that opportunity.
The destruction and displacement of people today so recall the past that Thomas de Hartmann’s music resounds with fierce, resonant force.
“I love to dance. I love music. My life is in the flow” — Seán Curran
This tragic, absorbing, and moving quasi-novel is best characterized as a “tour de force”.
Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
Three independent films got a bounce out of the New York Film Festival and could be coming to you soon.
If ever there was a musical act and a venue perfectly suited to each other, it would have to be the Wailin’ Jennys, the harmony-laden Canadian folk trio, and the Groton Hill Music Center.
“Baby Driver” is a book in the tradition of American road literature, but it moves at a distinctly different pace.
Varone and dancers made skillful use of some of the most luxurious movement vocabulary available in contemporary dance
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