Featured
It is hard to think of a moment in the last 100 years when Käthe Kollwitz’s work has been more timely.
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What could have gone terribly wrong goes terrifically right in the hands of this creative team, culminating in a convergence of the life, the oeuvre, and our protagonist’s encroaching agony.
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French opera arias, many recorded for the first time, by the enchanting tenor Cyrille Dubois. The vocal treasures here include a stirring 1842 denunciation of slavery in the Caribbean.
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Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Witty, varied, played warmly and arranged dexterously, avoiding the glum, the explorations on “A Second Life” should please just about every jazz fan.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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There’s no question that either the violinist or the orchestra are completely at home with Julia Perry’s larger style or the notes: this is about as confident and secure a first recording as they come.
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The graphics in “The Warehouse” provide clear explanations of a grim reality. The U.S. leads the world at incarcerating its citizens.
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Returning to Gillette Stadium in Foxborough on Thursday night, the Rolling Stones, miraculously, sounded dangerous again.
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Arts Commentary: Creative Cross-Pollination — HarborArts Expands the Power of Public Art
Over the last 15 years, HarborArts has effectively used public art to raise public awareness, stimulating dialogue about environmental concerns — the climate crisis and degradation of the sea.
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