Featured
Fred Waitzkin’s beautiful, sad book will stay with me forever.
There’s more horror on the horizon, but “Longlegs” will undoubtedly stand as one of the buzziest chillers of 2024.
Singer/songwriter Aoife O’Donovan’s new album is a moving tribute to the women, particularly Carrie Chapman Catt, who made the 19th Amendment a reality.
Despite several great sets including Jason Isbell and Iris DeMent, Wilco stole its own show at Solid Sound with conceptual aplomb.
“The Devil’s Bath” demands your full engagement; along with its primordial intensity, a great deal of subtle intelligence lies beneath its visceral surface.
This is the first US museum exhibition for Paula Modersohn-Becker, and one of the crucial shows to see in New York this summer.
The debut album of Decoda, the first – and, so far, only – affiliate ensemble of Carnegie Hall, and a disc featuring a trio of works by two mid-century Chicago-based composers, Florence Price and Leo Sowerby.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Arts Commentary: Record Companies Suing AI — Who Owns Input?
The real action, rest assured, will take place in the counting house, not the courthouse.
Read More about Arts Commentary: Record Companies Suing AI — Who Owns Input?