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There’s plenty in Magnus Lindberg’s viola concerto to occupy the ear, and pianist Claire Huangci makes the complex passagework of a trio of American composers speak with breathtaking ease.
To his credit, Mark Cousins does provide some insights into Alfred Hitchcock’s motifs and obsessions, from doors to staircases to creepy, dank interiors crammed with gizmos, gewgaws, and cobwebs.
“We want everyone to come and let out a primal scream,” said Amanda Palmer of the Dresden Dolls.
It is time for some fierce pushback from the artistic community and lovers of the arts to Generative AI Leaders.
Our expert critics supply a guide to film, visual art, theater, author readings, and music. More offerings will be added as they come in.
Thanks in large part to the late Phil Lesh’s influence, the performances of the Grateful Dead developed a signature blend of composition and improvisation.
A reviews of a trio of standout films at this year’s New York Film Festival: Mati Diop’s “Dahomey”, Marta Mateus’ “Fogo do Vento”, and Jem Cohen’s “Little, Big, and Far”.
At the Woodstock Film Festival: the stunning documentary “The Remarkable life of Ibelin” and Mike Leigh’s rich and powerful “Hard Truths”.
The Boston Chamber Music Society’s greatest strengths lay in its skill in letting the music breathe.
The music in Avishai Cohen’s album, written and recorded soon after Oct 7, expresses a persistent hopeful gentleness.
Arts Commentary: These Goose Steps Don’t Lie — Shakira in El Salvador and the “New Security” Aesthetic