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A look at three exhibitions of photography — two of them shine a revealing light on personal and political concerns.
Director Robert Eggers’ take on the venerable vampire is a little too buttoned-up, too clean, too refined.
Museum exhibitions take a long time to put together, and the circumstances that justify them at their inception sometimes evaporate by the time they appear.
If there’s a documentary on this list that you want to see and it isn’t readily available, I’d suggest following it on social media or checking if its website has an email list that will announce future screenings or streamings.
Focusing on the years between 1961 and 1964, director James Mangold turns Bob Dylan’s creative journey into a better-than-average cinematic biography in which the singer ends up riding off on his motorcycle and into history.
Bob Dylan had been soundly booed for playing a set plugged. What ninnies dictate the rules in the backwater world of American folk music!
This might not be everybody’s idea of who Maria Callas was, but the film is plausible, and honest. You can watch Angelina Jolie’s Maria and think, so that’s what it was like to be her.
Our critics supply their TV favorites of 2024.
The film is a testament not just to the resilience and courage of Ukrainians in the face of brutal aggression and the threat of genocide but to the power of art to transcend tragedy and injustice.
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