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Musical Theater: Brian Stokes Mitchell

May 10, 2010
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One admires not just the quality of Brian Stokes Mitchell’s voice, but his artistry in getting to the emotional heart of whatever he is singing. He has long been a national treasure. Reviewed By Caldwell Titcomb The Celebrity Series concluded its 2009-10 season with one of its finest offerings: a solo concert by Brian Stokes…

Theater Review: A Boffo ‘Blithe Spirit’

May 10, 2010
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What makes a comedy a sure-fire hit? Blithe Spirit by Noël Coward. Directed by Spiro Veloudos. Staged by the Lyric Stage Company of Boston, Boston, MA, through June 5. Reviewed By Helen Epstein That was one of the few questions I was taking the trouble to ask myself while giving in to the sheer enjoyment…

Theater Review: ‘August: Osage County’

May 7, 2010
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August: Osage County by Tracy Letts. Directed by Anna D. Shapiro. The Steppenwolf Theatre Company production presented by Broadway Across America at the Colonial Theatre, Boston, MA, though May 9. Reviewed by Bill Marx “All happy families are alike, but every unhappy family is unhappy in its own way,” opined Leo Tolstoy sagely in Anna…

Theater Review: ‘Merrily We Roll Along’

May 4, 2010
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Reviewed By Caldwell Titcomb Much attention has rightly been paid to Stephen Sondheim, who has reached the age of 80 and is the greatest composer/lyricist our country has produced. Boston University got into the act by mounting a production of Merrily We Roll Along in the large B.U. Theatre for a five-day run (April 28–May…

Classical Music Review: ‘La Grande-Duchesse de Gérolstein’

May 2, 2010
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Reviewed By Caldwell Titcomb Opera Boston is winding up its season with a delightful production of Jacques Offenbach’s La Grande-Duchesse de Gérolstein (1867). This operetta, one of more than 100 of Offenbach’s works for the music stage, followed closely after three of his most accomplished contributions: La Belle Hélène (1864), Barbe-Bleue (1866), and La Vie…

Book Review: A Rat’s Tale

May 2, 2010
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Readers should not be put off by the title, for this is a splendid novel, interesting in the risks it takes, in its ambition and scope—a book that deserves to be savored and discussed. Rat by Fernanda Eberstadt, Knopf, 304 pages, $25.95 Reviewed by Roberta Silman They have always been with us, those “casual offspring,”…

Classical Music Review: ‘Idomeneo’

April 26, 2010
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Mozart wrote some wonderful music in Idomeneo for his wind players, who were up to the task under the capable baton of David Angus. Reviewed By Caldwell Titcomb Turning out an enormous amount of music in a host of genres during his short life (1756–91), Mozart felt that opera was his most important task. It…

Culture Vulture: Dead Elvis Lives

April 26, 2010
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The Chamber Orchestra of Boston’s final concert of the season reaffirmed the city’s high level of musicianship. Reviewed By Helen Epstein Although it is a popular and engaging staple of the concert hall, the fully staged version of Igor Stravinsky’s L’Histoire du soldat or The Soldier’s Tale is one of the least performed in the…

Theater Review: Televising The Habit of Art

April 26, 2010
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But in my arms until the break of day/ Let the living creature lie,/ Mortal, guilty, but to me/ The entirely beautiful. – W. H. Auden, Lullaby The Habit of Art by Alan Bennett. Directed by Nicholas Hytner. The National Theatre production presented by NTLive at the Coolidge Corner Cinema, Boston, MA, on April 22…

Classical Music: Dudamel Comes to Town

April 17, 2010
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Leonard Bernstein was the most charismatic conductor of the last century, and Gustavo Dudamel is the most charismatic one of this century. By Caldwell Titcomb I provided a lengthy update on the phenomenal conductor Gustavo Dudamel here in December. But now there is important fresh news about him. He actually came to town this weekend…

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