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Coming Attractions in Jazz: Autumn Festival Update

September 24, 2010
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Wild Magnolias Big Chief Bo Dollis

By J. R. Carroll. The final installment in our jazz festival preview series picks the best bets for the outdoor Beantown Jazz Festival and then checks out what’s happening in Falmouth and Pittsfield as the leaves begin to turn.

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Music Review: Kurt Rosenwinkel & Orquestra de Jazz de Montesinhos (OJM) – A Temporary Relationship

September 22, 2010
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Kurt Rosenwinkel’s compositional style is undeniably ingenious and appealing; it is strong on tuneful, singable lines that move logically from chord to chord and occasionally lead listeners to unexpected places. Our Secret World. Wommusic CD; $15.99 via Amazon; $14.99 [ + shipping] through the musician’s website. It’s also for sale as a download through iTunes.…

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Book Review: A Norwegian Ghost Story

September 19, 2010
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The novella revolves around that oxymoron of “silent voices”: Jon Fosse’s aim is to evoke the insinuating power of self-destructive forces that lie beyond our control.

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Jazz Review: Either / Orchestra — (10 + X) 25 = E / O

September 16, 2010
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Reviewed by Steve Elman. The larger the band, the more important its leader. The sheer drudgery of keeping a large jazz ensemble functioning as a musical and business entity leads almost inevitably to a need for a guiding intelligence. Even if one person isn’t personally booking the gigs, making the phone calls, preparing the lead…

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Music Interview: The Art of Storm ‘n’ Twang — Writing Music for Buster Keaton Silents

September 14, 2010
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By Bill Marx Steamboat Bill Jr. is my personal favorite among Buster Keaton’s classic silent comedies, and the image (above) of Buster holding an upturned umbrella (this is a publicity still—in the movie he wields the useless brolly during a rampaging storm) is one of the movie’s greatest sight gags, an indelible image of the…

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Music Review: Saxual Diversity in Colorado — Pagán’s Preludes and Fugues

September 11, 2010
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To my knowledge, this is the first time that a composer has undertaken to write a set of preludes and fugues for saxophone quartet. This is typically a keyboard form, with the Bach (“Well-Tempered Clavier”) and Shostakovich cycles representing twin peaks of that repertoire. Michael Pagán’s 12 Preludes & Fugues. Performed by the Colorado Saxophone…

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Music Interview: Blumenthal on the Making of a Saxophone Colossus, Part Two

September 9, 2010
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By Steve Elman My  conversation with jazz critic Bob Blumenthal circled around two poles. Part one focused on the music of Sonny Rollins. Part two concentrates on the making of the new book, Saxophone Colossus: a Portrait of Sonny Rollins. Text by Bob Blumenthal. Photography by John Abbott. Abrams, 160 pages, $35. Aside from the Saxophone…

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Visual Arts Commentary: Alex Katz — Superficiality Equals Profundity?

September 9, 2010
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Through July 29th, the MFA in Boston is presenting “Alex Katz Prints.” Time to take a look at Arts Fuse Critic Franklin Einspruch’s thoughts on the artist, posted about an exhibition of Katz’s paintings at the Farnsworth Art Museum, Rockland, Maine.

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Theater Review: Beowulf Unleashed

September 6, 2010
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Beowulf: A Thousand Years of Baggage. Written and performed by Banana Bag & Bodice. At Oberon, Cambridge, MA, tonight (September 6). Reviewed by Chantal Mendes AF interview with Big Banana & Bodice Oberon is not the kind of place where you think you are going to learn something about what it means to be human.…

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Theater Commentary: For Mature Audiences?

September 4, 2010
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By Bill Marx After four years in the position, Louise Kennedy is leaving her post as theater critic for the Boston Globe to work on a book project. I wish her well: she’s had to persevere as the position becomes the afterthought of a Tweet. Perhaps she sees the handwriting on the printer’s wall. Her…

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