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In “Feh,” Shalom Auslander confronts being middle-aged, a time of life that, given his external circumstances, you would think he would be celebrating. But, instead of kvelling, he’s sunk, hilariously, in the depths of despair.
Suffice it to say that this film version of “The Piano Lesson” does playwright August Wilson proud.
A story of divorce and self-discovery may be worth telling, but it suffers when it is interwoven with a life narrative that is clearly weighter.
Now 78, Cher has written a compellingly candid chronicle of her early life and showbiz career, up until her move into the movies, which will be told in Part Two.
In this overstuffed show, Sturgill Simpson presented himself as someone who, after too long away from the stage, was back because he was in love with playing for the sake of playing.
Our expert critics supply a guide to film, visual art, theater, author readings, and music. More offerings will be added as they come in.
The whole effort culminated in the finest orchestral performance these ears have heard in Boston since, well, the last time the Berliner Philharmoniker was here.
There wasn’t much autumnal despondency in this Horizon Ensemble program; it was dedicated to the upside of the season, an invitation to enjoy all its warmth, friendship, and festivity.
A trio of varied, high quality jazz releases: “Entre Amigos”, “Strange Times”, and “Three Visitors”.
Theater Reviews – A Musical Mixed Bag on Broadway
Capsule reviews of five new musicals that opened this month on Broadway.
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