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Joshua Rubenstein’s succinct account of Leon Trotsky’s life rescues the Russian radical from a remoteness, positioning him at a useful distance for contemporary readers
Read MoreIn this delightful production of “Candide,” director Mary Zimmerman imaginatively reworks and mischievously augments the musical. Her deliciously blowzy approach embraces, with charming lyrical fervor, the sheer preposterousness of Voltaire’s sardonic fable.
Read More“The Lady With All the Answers” presents the columnist Ann Landers as a person who just might write a letter to Ann herself. Her faith in herself and her work is unquestioned, even as her own life takes a bump or two. Well, really, only one bump.
Read MoreWhat drives serious writing about film? “When Movies Mattered” suggests an answer: it helps for a critic to take a side, not as consumer advocate, hipster crank, or box office predictor, but as a passionate advocate for standards, often taking on the role of separating overpraised films from the unfairly neglected.
Read MoreThe Hedghog’s steady, slow pacing—so rare in any film today—captures the rhythms of haut bourgeois life in Paris and draws out the nuances of how people change and are changed by relationships everywhere. The Hedgehog (Le herisson). Directed by Mona Achache. At the Kendall Square Cinema, West Newton Cinema, and other screens throughout New England.…
Read MoreThe film is many things. It is a testament to the restaurant, immortalizing it on celluloid. It’s also a requiem for the restaurant, which you see as it is closing. It’s a manifesto for culinary invention. It’s a tribute to chef Ferran Adrià and what he has wrought, how he has transformed thinking about food. Screens at the MFA tonight through December 30.
Read MoreThe American Repertory Theater’s juggling/removal of the operatic elements in “Porgy and Bess” is clumsy, but the goal is to create a compelling entertainment for contemporary audiences, smoothing out the melodramatic story’s edges and cutting its length.
Read MoreDirector Gus Kikkonen and cast come up with a bright, literate presentation of William Shakespeare’s play “Measure for Measure,” a potentially dark comedy pregnant with power.
Read MoreTrapped in a cluttered set meant to evoke an abandoned nightclub (with old, upside-down flowerpots? why?), the cast of TEN CENTS A DANCE do little but wander about singing strangely uninspired arrangements of some of America’s best-known songs.
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