Dance
This enormously talented company delivered a total assault on the senses at Jacob’s Pillow.
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Now fifty years old, a venerable landmark, in what ways does hip hop stay put or embrace evolution and change?
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The company is notable for its precision, charisma, and the calculated chaos created by sui generis Israeli choreographer Ohad Naharin.
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This first Jacob’s Pillow visit by Dutch National Ballet offered a deep immersion in classical ballet past and present. On every level it belongs to the top tier of dance in the Berkshires.
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Given the infectious and embracing music of Burt Bacharach and Hal David, Mark Morris’s The Look of Love will most likely be regarded as among his most accessible and popular dances.
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Bravo for the Boston Dance Theater’s decision to venture outside of Boston and perform at an interesting venue in Portland, ME.
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Bill T. Jones/Arnie Zane Company’s Curriculum II is no intellectual exercise. It is a gut-wrenching journey into the heart of darkness, offset by flashes of compassion and light.
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Because Mindy Aloff is so deeply personal and idiosyncratic — and so dependent on what was programmed by certain theaters, in certain years — her book distorts the very topic it is intended to illuminate.
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Circa has come up with a stunning way to combine the athleticism of circus training with the aesthetics of dance theater.
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In choreographer Rachel Linsky’s hands — and the bodies of her articulate, reverberating dancers — you gain both kinesthetic and emotional access to the worlds of those who lived the Holocaust.
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