Dance
La Sylphide is full of magic. It might be about magic.
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Going beyond the reasonable concept, there was the New York Theatre Ballet’s performance.
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Sleeping Beauty needs not only to thrill us but to carry us somewhere back into its own history.
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Despite its grand intentions, Atomos is essentially an abstract work that springs from Wayne McGregor’s obvious passion for full-throttle movement.
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An intriguing cross-disciplinary concept gave birth to a pallid, underrehearsed production.
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Sutra was a curious mix of reverence and virtuosity, lavish movement and intricate music — over an hour’s worth of changing forms. I found it intriguing and untrackable.
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We were reminded of how difficult it is to create an evening-length’s choreography without a storyline, musical structure, or a well-developed concept
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Kelley Donovan believes every dancer should own her movement, not just perform it.
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This Hopkins Center production will be the US premiere of Dada Masilo’s much-anticipated reimagined version of Giselle.
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What a treat to see choreographers of different generations concentrating on ballet itself and asking the audience to appreciate what ballet can do.
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Arts Commentary: Rich in Creativity — But Nothing Else