Books
Today, Ewa Juszkiewicz stands among the most incisive voices in contemporary art. Each work redefines how women may emerge in painting, charting new territories of meaning.
Clea Simon’s latest is an easy-going entertainment that will be a fine introduction to those who are only now discovering the author’s uniquely enchanting brand of feline genre fiction.
Matt Bialer’s long poem doesn’t see time as a clock running to zero, but as an infinite love poem.
As is the case with effective satirists, Will Self is nothing if not provocative.
Daniel Okrent’s “Art Isn’t Easy” is an engaging if familiar introduction to one of theater’s most complex figures – though seasoned Stephen Sondheim devotees may find themselves wanting more.
I cannot recall reading a more poignant and persuasive description of the inexorable descent of Alzheimer’s disease, certainly not from inside the sufferer’s mind.
“Listening to Prestige” can be read as a kind of post-literate anti-Spotify. And, lo and behold, it’s true jazz history.
Two new biographies spotlight women whose remarkable achievements have enriched our understanding of our world.
An engaging and entertaining mystery, told in an evocative period setting, that deconstructs narrative conventions, analyzes the artifice of identity, and critiques the capitalist patriarchal system.
“Dealing With the Dead” achieves something else no outsider, however gifted or knowledgeable, could pull off: showing how magic, superstition, religious faith and credulity (as in, a hunger to believe) play into the everyday lives of most Pointe-Noireans.
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