Posts
At last — industrial music made by real industrial machines played in a real industrial setting.
The best corned beef in the Boston area by far is, get this, at an Italian lunch joint in Downtown Crossing, Sam LaGrassa’s.
Arts Fuse critics select the best in music, film, theater, visual arts, author readings, and dance that’s coming up in the next week.
The Black Keys clearly wanted to write moody, trippy, mostly hookless tracks, and as far as moody, trippy, mostly hookless tracks go, the ones on Turn Blue aren’t so bad.
While 1962’s Symphony owes a clear debt to Stravinsky and Britten (especially its last movement), it sounds like nobody but Irving Fine. This is a score that orchestras ought to be lining up to play.
Pianist, actor, director and consummate storyteller Hershey Felder returns to Boston in a one-man show entitled Abe Lincoln’s Piano.
Given its its male-weepy genre, the “inspirational sports movie based on a true story,” Million Dollar Arm is surprisingly enjoyable.
Having glittery, Bettie Page-y young women clad in leather and thongs undulate to music by Tom Waits is pretty much guaranteed to work.
Mark Morris’ choreography for his 18-member ensemble alternates between joyful ring-around-the-rosy and contra dance circles.
Visual Arts Commentary: A Trio of Local Arts Colleges Complete Major Structures
Three Boston-based arts colleges have completed major structures. Each has taken a different aesthetic path to assert its very own institutional signature.
Read More about Visual Arts Commentary: A Trio of Local Arts Colleges Complete Major Structures