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Suzanne Vega’s collection of 10 new original songs further solidifies and builds on her reputation as a unique talent among her generation of singer-songwriters.
Pianist Larry Goldings’ repertoire on this trio album is expertly chosen for its variety and melodic appeal.
“The MFA is a place that really matters to a lot of people, and it is the safety of this place that matters and its commitment to excellence. These are things that must never be compromised.”
Max Ewing is little known today, but this book celebrates him as a sexually nonconforming bachelor who strove to impress the quirkiest bohemian clique of the Roaring ’20s.
This exhibition is evidence of the venerable museum’s interest in expanding its collections so that more voices and perspectives can contribute to our understanding of our own complicated history.
The 2025 edition of Boston Calling largely appealed to a younger demographic, despite highlighting some older bearers of nostalgia.
The performance at Groton Hill Music Center will “be a journey through Brazil. They will hear some classics, some great Brazilian love songs, and hear stories about the songs. I will dedicate some of the show to the bossa nova.”
On two recent releases, trumpeter Paolo Fresu shows us exactly what he has learned from Miles Davis, and how that has expanded rather than limited his music.
Theater like this is especially crucial at a time of destructive national division: it is explicitly aimed at intergenerational audiences, it takes on issues that confront family and community, and it makes the experience of learning and relearning elemental democratic lessons both fun and communal.
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