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Film Review: “The Autopsy of Jane Doe” — Death Becomes Her

February 3, 2017
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At first,The Autopsy of Jane Doe comes off as a sort of small town crime thriller, but it slowly evolves into what feels like a bonafide horror film.

Theater Review: “Mass Appeal” — A Compelling Drama of Ritual

February 3, 2017
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Profoundly conservative and radically fresh, Mass Appeal justifies its title in the Peterborough Players fine production.

Classical CD Reviews: Shai Wosner’s Haydn/Ligeti and Justin Taylor’s “La famille Forqueray”

February 3, 2017
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Hats off to harpsichordist Justin Taylor for the resonant, gripping performances he turns in on his debut album.

The Arts on the Stamps of the World — February 3

February 3, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

Book Review: “Hope in the Dark” — An Homage to Community

February 2, 2017
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Now, more than ever, It’s worth being reminded of our natural potential for good.

Theater Review: “Trans Scripts, Part I: The Women” — An Evening of Powerful Journeys

February 2, 2017
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This is a script with an exquisite sense of balance; Trans Scripts, Part I is thoughtful, informative, honest, and playful, all at once.

The Arts on the Stamps of the World — February 2

February 2, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

Theater Review: “Really” — An Absorbing Confrontation With Memory

February 1, 2017
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Company One’s production of this unconventional work is absorbing: this is the kind of exciting theater that we need to see more often.

Visual Arts Review: Virtual Reality Art — Not Ready for Prime Time

February 1, 2017
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Worse, humor and irony have no place in this show’s version of virtual reality.

The Arts on the Stamps of the World — February 1

February 1, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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