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With autobiographical wryness on the menu, Sara Juli and Alexander David is a match made in performance art heaven.
I cannot recall reading a more poignant and persuasive description of the inexorable descent of Alzheimer’s disease, certainly not from inside the sufferer’s mind.
In his speculative play “The Antiquities,” dramatist Jordan Harrison has no trouble envisioning earthlings in the post-human age.
Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
The exhibit suggests that Isabella Stewart Gardner wanted her art curation, intellect, and fashion sense — the areas of her life over which she had the most agency over — to be her legacy, not her image.
“Listening to Prestige” can be read as a kind of post-literate anti-Spotify. And, lo and behold, it’s true jazz history.
Come for the frolic and high energy professional stagecraft; stay to experience this creative ensemble’s answer to: Who the hell are we, facing the end?
The Gibney Company has brought a three-work evening to town that any chamber-sized contemporary dance company in the world would admire.
“Taking a Line for a Walk: Alexander Calder & Paul Klee” and “An Imagined Dialogue: Alberto Giacometti & Mark Rothko” are touching reminders of the remarkable kindness inherent in making art – the desire to reach across time and space to offer something to another.
Arts Commentary: These Goose Steps Don’t Lie — Shakira in El Salvador and the “New Security” Aesthetic
The artist is a glitzy ribbon that ties together incompatible images—the mega-prison and the megastar.
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