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Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
Eoin Higgins’s “Owned” is a provocative take on our shifting politics and the instrumental role the media plays in how the superrich maintain power.
Despite the passing years, personal loss, and shifting musical roles, Wednesday’s 80-minute set proved that everything’s indeed ok with TV on the Radio.
By Ralph P. Locke Joachim Raff’s energetic and characterful Die Eifersüchtigen hits its mark, in its first production ever. Joachim Raff: Die Eifersüchtigen (The Jealous Ones) Serafina Giannoni (Donna Rosa), Raìsa Ierone (Donna Bianca), Mirjam Fässler (Ninetta), Benjamin Popson (Don Claudio), Batthias Bein (Beppino), Balduin Schneeberger (Don Giulio), Martin Roth (Don Geronimo). Orchestra of Europe,…
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
As a legacy sequels “Happy Gilmore 2” one isn’t a hole-in-one, but it doesn’t roll into a sand trap either.
John Williams’s concert music may be intended to enrich and edify, but there’s always room for a little fandom, particularly on occasions like this. At 93, and after a lifetime of firsts, the composer deserves every accolade.
Newport Folk Festival will likely never deliver cameos as ground shaking as those in 2022, when stars aligned for Joni Mitchell and Paul Simon to grace separate tributes. But it doesn’t have to, given that there’s so much talent already on site.
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