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“The Boy and the Heron” is a work of true beauty that fits squarely within veteran director Hayao Miyazaki’s gorgeous and emotionally resonant oeuvre
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Lespecial proves that not all “jam bands” are simply children of the Dead.
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The group’s first record of new material in well over a decade, “Hackney Diamonds” isn’t quite a bad Rolling Stones record but it’s decidedly not a good one.
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Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Tenor Zachary Wilder — a Boston favorite — and others shine in a Cavalli opera from 380 years ago.
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Dramatist Lloyd Suh takes us on an inner journey by weaving silences into his script that encourage his characters (and us) to reflect and pause.
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Robert Morgan has written a fascinating reconsideration of the life of Edgar Allan Poe.
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The heart, intelligence, and the artistry of “Godzilla Minus One” makes it one of the best kaiju films ever made.
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A new interpretation of an old fable and a newly reissued fairy tale provide delightful reading for kids — and perhaps good holiday gifts as well.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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