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Elizabeth Howard talks to “Swans of Harlem” author Karen Valby and Lydia Abarca, a prima ballerina and one of the Swans, about the forgotten story of a pioneering group of five Black ballerinas.
Themes of class, race, and artistic appropriation reminiscent of “American Fiction” lurk beneath “Crumb Catcher”‘s generic conventions.
“Goyhood” can be larger than life, and its plot is a real doozy, but this isn’t a lightly comic excursion: the religious and social consternations that roil the brothers Belkin are as earnest as they are outlandish.
Happily, the string orchestra A Far Cry has the skill to back up its good intentions with good music.
Fred Waitzkin’s beautiful, sad book will stay with me forever.
There’s more horror on the horizon, but “Longlegs” will undoubtedly stand as one of the buzziest chillers of 2024.
Singer/songwriter Aoife O’Donovan’s new album is a moving tribute to the women, particularly Carrie Chapman Catt, who made the 19th Amendment a reality.
Despite several great sets including Jason Isbell and Iris DeMent, Wilco stole its own show at Solid Sound with conceptual aplomb.
“The Devil’s Bath” demands your full engagement; along with its primordial intensity, a great deal of subtle intelligence lies beneath its visceral surface.
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