Posts
Themes of class, race, and artistic appropriation reminiscent of “American Fiction” lurk beneath “Crumb Catcher”‘s generic conventions.
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“Goyhood” can be larger than life, and its plot is a real doozy, but this isn’t a lightly comic excursion: the religious and social consternations that roil the brothers Belkin are as earnest as they are outlandish.
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Happily, the string orchestra A Far Cry has the skill to back up its good intentions with good music.
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Fred Waitzkin’s beautiful, sad book will stay with me forever.
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There’s more horror on the horizon, but “Longlegs” will undoubtedly stand as one of the buzziest chillers of 2024.
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Singer/songwriter Aoife O’Donovan’s new album is a moving tribute to the women, particularly Carrie Chapman Catt, who made the 19th Amendment a reality.
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Despite several great sets including Jason Isbell and Iris DeMent, Wilco stole its own show at Solid Sound with conceptual aplomb.
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“The Devil’s Bath” demands your full engagement; along with its primordial intensity, a great deal of subtle intelligence lies beneath its visceral surface.
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This is the first US museum exhibition for Paula Modersohn-Becker, and one of the crucial shows to see in New York this summer.
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Arts Feature: Best Movies (With Some Disappointments) of 2025