Posts
There’s a profound catharsis in watching “Bugonia,” one that echoes the catharsis articulated by those who attended the ‘No Kings’ protests on the 18th.
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The musicians assembled here for the updated recordings of tunes from fifty years ago are first-rate, and Peggy Lee still convincingly inhabits a wide range of material.
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A generous serving of what theater critic John Lahr calls playwright John Guare’s “funhouse-mirror reflection of American life’s caprice and chaos in the twentieth and twenty-first centuries.”
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Scribble, smudge, repeat: the passage of time and the emergence and dissipation of information conveys the difficult work of experiencing coherence and retaining memory.
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“The Mastermind” points to the impossibility of trying to live as though the outside world and its politics don’t exist.
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The blend of rhythmic dance and gorgeous music made for a very harmonious collaboration.
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By engaging with this work, museum visitors are likely to gain a greater appreciation for — and understanding of — the wide-ranging talents of Indigenous artists.
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This is the story of powerless little people caught up in a confusing maelstrom, at the receiving end of senseless violence.
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How our memoirist and the man who shook Mickey Mouse’s hand crossed paths is characteristic of the author’s good fortune and perseverance.
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Arts Remembrance: Tribute to Jazz Producer Alex Lemski