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Paul Jacobs, the day’s reigning organ virtuoso, has assayed a fascinating assortment of Americana that showcases the King of Instruments against an orchestra.
What Ian O’Donnell underlines so powerfully in “Prison Life” is the necessity of positive human interaction anywhere, including among incarcerated citizens.
The Boston Early Music Festival announces its 2024-25 season, and our critic welcomes world-premiere recordings of operas by Mondonville and Destouches, splendidly sung and glitteringly played.
This album fills out Michael Tilson Thomas’s compositional catalogue, deepening our appreciation of it. More fundamentally, it adds meaningfully to the story of American concert music.
Is it possible for an outstanding actress to achieve similar heights as a playwright? The answer is yes, but with reservations.
If you want to tell people the truth,” quipped Oscar Wilde, “make them laugh, otherwise they’ll kill you.” Louis Bayard’s novel offers a compelling vision of what happened to Oscar and his family when the laughter stopped.
By not giving the material a refreshing 21st-century update, the film version of “Uglies” is an unattractive antique.
Composer Anna Clyne’s collection of works for mostly solo instruments offers enormous musical satisfaction; pianist Isata Kanneh-Mason knows how to craft an enticing program and advocate for it.
In her debut novel, Alina Grabowski taps into today’s zeitgeist — this is a story of compelling women who must deal with men who disappear or let them down.
Moon Unit devotes less than a quarter of her book to the three decades since her father’s death. Despite his failings as a parent, she wants to respect Frank Zappa’s stature as an artist.
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