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Music Review: Celebrity Series Audience Falls in Love with Audra McDonald

October 4, 2011
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Audra McDonald is so popular on stage, in concert, and on television that she has become, to many, a one-name goddess like Bette, Judy, and Barbra. Judging from her recent star turn in the American Repertory Theater’s production of “Porgy and Bess” and this brilliant concert, she can give the other One-Named Ones a run for their money.

Short Fuse Review/Interview: Trotsky’s Revolutionary Life

October 2, 2011
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Joshua Rubenstein’s succinct account of Leon Trotsky’s life rescues the Russian radical from a remoteness, positioning him at a useful distance for contemporary readers

Coming Attractions in Film: October 2011

October 2, 2011
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New England theaters, and especially Boston’s, have compiled a fantastic lineup of programs for October, a classically-great month for films (especially if horror is your thing).

Music Review: Who Loves You, Baby? Wilco Loves You … A Whole Lot

October 2, 2011
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Honestly, the first thought I had when the two-hour Wilco show wrapped up was, when will I see this band again?

Coming Attractions in Popular Music: October 2011

September 30, 2011
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The picks in pop music in Boston this month all have something in common: storytelling. How did Deadmau5 get stuck with that 5 at the end of his name? What does a Portuguese acronym have to do with the band CSS? And what does Minus the Bear have against bears?

Coming Attactions in Theater: October 2011

September 30, 2011
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It is encouraging that the list of recommendations for October isn’t filled with musicals. Are straight plays back? I wouldn’t count on it in this economic climate. So let’s bask in the chance to hear words without music.

Classical Music Sampler: October 2011

September 29, 2011
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October offers an embarrassment of musical riches. The Boston Symphony Orchestra, without a music director, is still putting on impressive programs, including several this month.

Theater Review: O Superannuated Man

September 28, 2011
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In “Delusion,” veteran performance artist Laurie Anderson generates a muted melancholy, sometimes poetic, sometimes poignant, that makes the piece a consistently compelling if not always successful addition to an ambitious body of work.

Fuse Theater Review: South Pacific Endures

September 28, 2011
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“South Pacific” endures in this production (and will in others) because it centers on two love stories that are “lovely beyond description.

Fuse Classical Music Review: A Far Cry Goes A Long Way

September 27, 2011
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A Far Cry’s youthful exuberance is no doubt one of the most important keys to its egalitarian vision, but a good share of the credit is due to intelligence, vision, and carefully-honed and finely-tuned musicianship.

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